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My art is flat.

How do we distinguish between two and three dimensions when so much of the three dimensional world we understand through two?  This body of work, my most serious, explores these concepts through painted collages, transfers, and reproductions.
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From a phone conversation I had with a rendezvous. Ink and watercolour on paper. 2018
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Jellyfish, ink and watercolour, 2012
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2018 Ink on paper.
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2018 Ink on paper.
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2018 Oil on board.
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2017 Graphite on paper. This drawing is resizing of a very small, magazine photo.
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2017 graphite, marker, and crayon on paper. A drawing of a photo of a photo with graffiti. In this image I replaced some of the tags with those of my friends.
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2016-7 Graphite, charcoal, and crayon on paper. See right for details.
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2016 Graphite on paper. I dig Instagram.
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2015 Oil on canvas. One of the few paintings on this page. I swear there are more coming.
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2012 Ink on paper. Employing some of my Chinese painting skills on this one.
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Graphite on paper 2019
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A friend posted this on Instagram and asked someone to make a painting of it. Here it is in oil. 2019
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My friend had this photo taken of her, posted on Instagram and requested someone make a painting of it. Here it is. Ink and watercolour on paper. 2018
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2018 sanguine pencil on paper. I have been making a deliberate effort to not paint and draw caucasians.
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2016 Graphite on paper. We only know about Pluto because of satellite photos, this is my interpretation.
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I realised how much sex is in this drawing after I finished it.
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I really loved picking through images to compile in this drawing.
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2016 Watercolour on paper. I made photocopies out of a few Japanese books, made a collage, then painted that collage.
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2009 - No shit. Conté on paper. I was standing at a subway stop in Shanghai, snapped this photo with my iPhone 2 then made a large drawing of it.
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2012 Ink and watercolour on paper. Although I didn't know it at the time ( I was still musing on post-modernism) this marks the start.
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